![]() If you calibrate Mac screen (and Rec.709 should be achievable), so screen profiles doesn't lie and it describes screen accurately then Resolve preview should be accurate (assuming you project is set to gamut below your calibration spec). Rec.709 +2.2 gamma then if your monitor is calibrated to the same thing and GPU properly passes it then it's also 1:1 pipe (even if preview is color managed it's basically bypassed). Any mismatch in theses 2 places= color inaccuracy. Signal is converted in some way on 'input' (Resolve->BM,GPU) and then it needs the same, but reverse math on output (TV/monitor etc), so than it's 1:1 pipe. BM preview has exactly same principle as GUI preview just by default less variables. If you trying to preview Rec.2020 project, but card is singling it as Rec.709 (as some BM do) then TV will use reverse matrix as for Rec.709 and display wrong image. Remember that BM preview is most often YUV and it also goes twice through matrix. Some of them don't do Rec.2020 signalling on HDMI and this can cause gamut mismatch. You have to be careful with dedicated cards preview as well, specially with HDR. Resolve preview on Mac with AMD pro card is also 10bit.ġ0bit argument is basically gone. ![]() P.S.: I know a I/O-video-playback-hardware and a proper grading display would be the real deal, but right now, this just isn’t an option financially. Thanks so much in advance to enlighten me about this. I also don’t know if I should check or unchek “Use Mac Display Color Profiles for Viewers” under Preferences->General. I am confused whether I should use RCM or not. If it is usable, what are the correct settings in Resolve? ![]() Is the iMac display good enough to use it as a what-you-see-is-what-you-get reference monitor? The result is an ICC profile, which I applied using the macOS System Preferences.Īs far as I understood, the iMac display has a quite special “display P3” gamut, which is neither sRGB nor P3. I calibrated my iMac display (Retina 5K, 27-inch, 2017, Radeon Pro 580 8 GB) with the X-rite i1 Display Pro colorimeter and Displa圜AL software. But still I have no clue if the display is usable and if so: how?Īll my footage is 3840x2160 BRAW Q5 "Film" from the BMPCC4K.ĭelivery target is unencrypted DCP for cinema release and also later web for VoD release. I read many threads close to my topic, for example these:Īnd I looked for articles and useful tutorials on MixingLight and the FilmLight vimeo channel. Please note, that I already read the Color Management section of the manual more than twice. I have some questions concerning my hardware setup and the associated settings in Davinci Resolve 16.1.1.005.
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